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AdLIT In Perspective > 2006 > April

Box 2


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Video Poem

Video Poem Title: Listen to the Mustn'ts by Shel Silverstein

Part I:
Stills of various street or directional signs/postings from everyday life.

  1. The first portion of our video poem is a series of quick moving shots of signs. We chose to crop the shots so the sign was the central visual image and nothing would be lost by quickening the speed.
  2. We chose to have signs in our video to portray the negative messages we see throughout the day. These signs tell us what we are permitted or not permitted to do. The quickness of the shots helped build an intensity leaving the audience feeling bombarded by "No's." We interspersed the lines of poem among shots of the signs where we felt there would be good breaking points for the audience to realize the meaning. We decided to place the lines over black to create a visual break in the chaos.
    We chose not to use transitions to help maintain the chaotic pace in this section.
    The sounds of street and background noise were used to further emphasize the busyness. Many of the sounds chosen are auditory signals for the fast pace world in which we live, furthering the theme of the signs.

Part II:
Footage of wooded scenes.

  1. Title transition: Poem line on black with sound fading out transitioning into second half of poem. The fading out helps to bridge the gap between the two opposing parts of the poem.
    Shot Two: Feet walking on path in woods faded in to bridge gap and open storyline.
    Shot Three: Cross dissolves into perspective shot of walking down path. This helps create the feeling of the audience walking. This shot introduces us to the wooded area.
    Shot Four: Cross dissolves onto the perspective shot of "No Trespassing" sign. Camera passes the sign to create the effect of breaking the rules.
    Shot Five: Cross dissolves onto another establishing/perspective shot of a scenic view of a lake.
    Final Shot: Last lines of poem over slow motion scenic view. We chose to place these lines over the shot to emphasize the freedom implied at the end of poem.
  2. We chose to use video for the end of the poem to create a visual contrast between the two parts of the poem. We used the cross dissolve transition to create a more fluid motion between shots in contrast to the abrupt transitions in part one.

    The sound in part two fades from the busy street noises to the ambient sounds of our walking through the woods. This contrast also furthers the contrasting themes of the poem by creating a calm environment. This helps to portray the freedom of the second half.

Overall we are pleased with the final result of this project. Originally we had planned to use shots of children in the second half of the video; however, we were unable to obtain these shots. This forced us to be more creative and look for more symbolic images to portray the freedom of the message of this poem. We found that images of nature contrasting the image of city street signs worked even better in the end.

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