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Lessons
Browning’s “My Last Duchess” and Dramatic Monologue
Discipline
Reading
Grades
11, 12
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Professional Commentary

In this lesson, students are introduced to Robert Browning, his life, and the characteristics of the dramatic monologue. After working together to identify the speaker, the audience, and the general scene of "My Last Duchess," the class is divided into groups of three. Group members are given a scenario and then reread the poem from the perspective of either the duchess, the count's envoy, or the creator of the portrait. To gather textual evidence to support their claims for a "character portrait," they can use an interactive feature or a chart supplied in the lesson plan. Next, each group writes a character profile of the duke. Students are then ready to perform the poem as they would imagine the duke speaking.

Assessment suggestions include having students write a dramatic monologue from the point of view of one of the other characters or writing an essay analyzing a different Browning's dramatic monologue and comparing it with "My Last Duchess." Links to additional resources about Robert Browning and the Victorian Era are available at the website. (author/sec)


Common Core State Standards for English Language Arts
Grades 6–12
Reading: Literature
Grades 11-12
Key Ideas and Details
RL.11-12.1 
Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.
RL.11-12.3 
Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed).
Craft and Structure
RL.11-12.4 
Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.)
RL.11-12.5 
Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact.
Integration of Knowledge and Ideas
RL.11-12.9 
Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics.
Range of Reading and Level of Text Complexity
RL.11-12.10 
By the end of grade 11, read and comprehend literature, including stories, dramas, and poems, in the grades 11–CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.
By the end of grade 12, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 11–CCR text complexity band independently and proficiently.
Writing
Grades 11-12
Production and Distribution of Writing
W.11-12.4 
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
Research to Build and Present Knowledge
W.11-12.9 
Draw evidence from literary or informational texts to support analysis, reflection, and research.
  1. Apply grades 11–12 Reading standards to literature (e.g., “Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics”).
  2. Apply grades 11–12 Reading standards to literary nonfiction (e.g., “Delineate and evaluate the reasoning in seminal U.S. texts, including the application of constitutional principles and use of legal reasoning [e.g., in U.S. Supreme Court Case majority opinions and dissents] and the premises, purposes, and arguments in works of public advocacy [e.g., The Federalist, presidential addresses]”).
Language
Grades 11-12
Conventions of Standard English
L.11-12.1 
Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  1. Apply the understanding that usage is a matter of convention, can change over time, and is sometimes contested.
  2. Resolve issues of complex or contested usage, consulting references (e.g., Merriam-Webster’s Dictionary of English Usage, Garner’s Modern American Usage) as needed.
L.11-12.2 
Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
  1. Observe hyphenation conventions.
  2. Spell correctly.
Ohio English Language Arts Standards (2001)
Reading Process: Concepts of Print, Comprehension Strategies and Self-Monitoring Strategies Standard
Benchmarks (11–12)
B.
Demonstrate comprehension of print and electronic text by responding to questions (e.g., literal, inferential, evaluative and synthesizing).
Grade Level Indicators (Grade 11)
2.
Answer literal, inferential, evaluative and synthesizing questions to demonstrate comprehension of grade-appropriate print texts and electronic and visual media.
Grade Level Indicators (Grade 12)
2.
Answer literal, inferential, evaluative and synthesizing questions to demonstrate comprehension of grade-appropriate print texts and electronic and visual media.
Reading Applications: Literary Text Standard
Benchmarks (11–12)
A.
Analyze and evaluate the five elements (e.g., plot, character, setting, point of view and theme) in literary text.
D.
Analyze how an author uses figurative language and literary techniques to shape plot and set meaning.
Grade Level Indicators (Grade 11)
3.
Explain how voice and narrator affect the characterization, plot and credibility.
4.
Evaluate the author's use of point of view in a literary text.
8.
Evaluate ways authors develop point of view and style to achieve specific rhetorical and aesthetic purposes (e.g., through use of figurative language irony, tone, diction, imagery, symbolism and sounds of language), citing specific examples from text to support analysis.
Grade Level Indicators (Grade 12)
3.
Explain how voice and narrator affect the characterization, plot and credibility.
4.
Evaluate an author's use of point of view in a literary text.
8.
Evaluate ways authors develop point of view and style to achieve specific rhetorical and aesthetic purposes (e.g., through use of figurative language irony, tone, diction, imagery, symbolism and sounds of language), citing specific examples from text to support analysis.
Writing Applications Standard
Benchmarks (11–12)
B.
Write responses to literature that provide an interpretation, recognize ambiguities, nuances and complexities and that understand the author's use of stylistic devices and effects created.
Grade Level Indicators (Grade 11)
2.
Write responses to literature that: a. advance a judgment that is interpretative, analytical, evaluative or reflective; b. support key ideas and viewpoints with accurate and detailed references to the text or to other works and authors; c. analyze the author's use of stylistic devices and express an appreciation of the effects the devices create; d. identify and assess the impact of possible ambiguities, nuances and complexities within text; e. anticipate and answer a reader's questions, counterclaims or divergent interpretations; and f. provide a sense of closure to the writing.
Grade Level Indicators (Grade 12)
2.
Write responses to literature that: a. advance a judgment that is interpretative, analytical, evaluative or reflective; b. support key ideas and viewpoints with accurate and detailed references to the text or to other works and authors; c. analyze the author's use of stylistic devices and express an appreciation of the effects the devices create; d. identify and assess the impact of possible ambiguities, nuances and complexities within text; e. anticipate and answer a reader's questions, counterclaims or divergent interpretations; and f. provide a sense of closure to the writing.